His marijuana "conviction" didn't wreck his career. At that time, it would have gained him more fans! I followed Curtis' career at the time and wasn't even aware of his "conviction."
After BOSTON STRANGLER, he went right back to making lightweight comedies, like THOSE DARING YOUNG MEN... and SUPPOSE THEY GAVE A WAR... and then TV work. I don't know why he didn't capitalize on the critical acclaim he got for working against type in this film. He could have had a much more substantial career in the 1970s doing edgier work in counterculture films and with new directors. Guys like Burt Lancaster and Robert Mitchum stayed relevant in the 1970s and impressed younger audiences. Not sure why Curtis didn't do that. Personal demons, maybe?
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