Parts better than the Whole
This film has so much potential, great cast, ripe topic for satire and a puckish sense of outrageouseness.
What it doesn't have is a consistent point of view, strong editing or narrative drive. It is one of those films that I enjoy thinking about more after having seen it than I enjoyed the experience watching it.
Favorite moment; Rod Steiger's Joyboy lobster dance. Worse moment, the Milton Berle cameo. Its not that he is so bad but that scene is just so obvious and pointless. Fortunately, it has that great house as a set so sitting through the "joke" is tolerable.