Re-Post
Worthwhile re-post from Jackcarson
I don't really have a problem with the end. The girls were sophisticated teenyboppers, to wax paradoxical, to begin with. Their turning into teenage variations of such is fairly believable. (Granted, it's all a little too neat a wrap up, complete with that reassuring happy music). But who's to say the girls don't drop this routine a few years down the road anyway and become bohemian hipsters ? Sounds like a lot of the girls I grew up with back then.
Anyway, hats off to you, Ms. Walker. It's very telling of your fantastic performance that even the harshest film critic around, John Simon, singled you out as the best thing about the movie back then.
The stars (no pun intended) were wonderfully aligned when you and Ms. Spaeth were finally chosen over a number of name actresses for the roles. And nothing against the terrific Hayley Mills and Patty Duke, but they too had rather upsy-downsy careers following their early successes. You never had to live down a Valley Of The Dolls for the rest of your life, or like Ms. Mills, succumb to typecasting and eventually eke out a career appearing in inferior reprises of The Parent Trap. And there's always the great Mary Badham, who after To Kill A Mockingbird and This Property Is Condemned appeared in one of the most outrageously bad William Castle flicks, Let's Kill Uncle; was dubbed over in The Twilight Zone; and then virtually disappeared until recently.
BTW, I have a copy of Seven Came Back, in which you played a blind pregnant woman. You certainly did not spend much time playing bland ingenues like many of your other peers ! Kudos kudos kudos ! And I love the picture of you in the Academy Directory of Players of the time - you look beautiful with the long blonde hair and the ethereal expression !
I was curious if you ever caught the very short-lived Broadway musical version, Henry Sweet Henry, and if so, your opinion of it.