Hair Cutting Scene


I was wondering what this hair cutting scene was all about ? However, Harry Bellafonte is absolutely gorgeous !

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It had been months with just the two of them alone and by now their hormones were raging. I got the impression that he was attempting to make her as unattractive as possible. He was fighting his attraction to her. Considering the time, and their later conversation when he uttered the "N-word", he was conditioned to not even consider interracial dating as something acceptable. He turned into Edward Scissorhand because of his frustrations.




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I'm not sure I totally agree with you lynnelewis. I also think there is a strong physical attraction between the two of them that is revealed there, but I rather understood it as a strong racial scene. He is still very ashamed of his race and does not want to touch her, does not feel "cut out" to be a hairdresser, and certainly not a black hairdresser for a white woman. I may be wrong but I felt it that way...

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Two words; Sexual Tension.

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Two words; Sexual Tension.

That's it exactly. The point of the scene, in my opinion, is to show their mutual attraction to one another, and their polar reactions to it; that Sarah has feelings for Ralph and wants to act on them, and that Ralph has feelings for Sarah and is fighting them.

"He's already attracted to her. Time and monotony will do the rest."

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You put it so well I can't say what I would add. It was sexual tension and he was the one uncomfortable not her. It's a brilliant scene. At the time the dialogue was revolutionary and breathtaking. She wants to ignore race and he can't let it go. It dealt with the fact there are two sides to racism brilliantly.

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OK - my question is: it looks like he was REALLY cutting her hair? Was he? If so it was a very bad cut!

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I felt the same way.
As rough as he handled her hair I think a wig might have fallen off.

Maybe she allowed her real hair to be butchered for the sake of the movie!!

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Letting someone cut your hair is a very trusting thing to do - and sensual. my take on it was she was offering herself to him on some level: "Here I am, I'm putting myself in your hands".

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"Look! - it's the Invisible Man!"

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for sure, there were elements of sensuality which he, with his societal racial pre-conditioning felt that he was forced to stand against. Also, though, there was the notion that as a hairdresser for her he was being forced into a service-type role - a notion which was perpetuated by her insistance (however naively innocent) that he would be good at the job and would do well with it. This brings to the fore a major part of the movie's message - that even when there are only three people left on earth, so long as they have come from a time in which enequalities are everyday phenomena, he, as a black man, will still be reduced to the role of servent (or service provider), until such attitudes are intelligently addressed.

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I like that this movie can be interpretted so many ways.

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It's the first time he's actually allowed to touch her. But yet again, in a servant's role.

Fear is the mother of morality.

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He really didn't know anything about cutting hair!

She does call him Superman, and wants to move into his building. Why wouldn't he want to be close to her? Her gates were wide open.

Velvet Voice

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As others have mentioned, the way society had kept blacks from whites, and especially in something as provoking as possible sexual dealings. Personally, I feel the walks would have broken down at some point, but I believe what kept him from her was when he heard the other person on the radio. He seemed trapped between telling her or keeping it a secret so he could finally have her,but decided to mention it on her birthday.

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Just watched the scene and it ends with her actually saying we havent talked about love have we. After that scene they reach an understanding so to speak...... For awhile.

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Just something else that strikes me: Volumes have been written about specifics of racial identity - one of them being hair, and what is considered "*good* hair". In addition to all that's been said, Inger is not only a non- black woman, but Scandinavian. A natural blonde is about as opposite of a black woman's hair as one can get and thus even more of a cultural taboo. Also, blonde represents towheaded childhood and trophy wives and porn queens. If white male culture feels threatened, this cinema icon - The Blonde - seems to be the ultimate symbol of whatever they are seeking to protect by keeping the status quo.

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