Journey to the Center of the Earth was run three times on American television yesterday, August 11, 2012 -- twice on "Ovation TV", and once on TCM. In all three broadcasts, except for the opening and closing credits, the film was run, not in its correct 2.35:1 aspect ratio, but in a reconfigured, more modestly letterboxed format, probably about 2.00:1.
Ovation is a commercial channel that frequently interrupts its movies for ads and does not use the best prints, so resorting to this completely pointless, modified a.r. is not too surprising for them. But TCM? They claim to run films the way they were shot -- though actually this is not always the case; they have sometimes run widescreen movies in "full screen", pan-and-scan prints, or shown bad prints of other films. But why use this distorted a.r. for Journey? It's not as if the correct version, with the terrific CinemaScope width in all its glory, was unavailable. It's on the DVD, and Fox Movie Channel used to run it.
Forget the forgettable Ovation. But we deserve better from TCM. What gives?
I just got TCM HD on Directv. I am very happy to see it in 16X9 full screen even though it's not like the orig. Try watching this in TCM sd 480i. The picture is the size of a postage stamp.
I have DirecTV and the film wasn't shown in "16x9 full screen" on TCM, so I'm not sure what you're referring to. (And sorry, but what is "TCM sd 480i"?)
Whatever, why would you be happy seeing a film with almost half the picture missing?
480i sd is standard def(4x3). tv, what we saw prior to the advent of HD. When you watch a film that was made in a widescreen process on a sd broadcast ON an HDTV, there will be pillar bars on the sides and letter box bars on top and bottom. that's what TCM was like in directv before the chan went HD. you can of course over ride it and set your tv to full screen but you will be watching a distorted picture. what we do in directv hd boxes is set the HD opt to NATIVE which does not change the aspect from the programer and let the TV decide if pillar and/or letter boxing is needed.
Got you, thanks, and I have the TV set set properly, but that wasn't the issue. TCM broadcast a print that simply didn't reproduce the correct a.r., which as I said was even more obvious because the opening and closing sequences were at the film's original 2.35:1 ratio. The picture "jumped" from that correct aspect ratio to something closer to 1.85:1. You could set the picture on the TV at anything you wish but it can't change what's being broadcast, only how you see it.
This isn't the first time this sort of thing happened. AMC, for one glaring example, regularly runs widescreen films in a severely modified letterboxed version, slightly widescreen but much less than the original a.r. Apparently they don't think their audience will accept films at their true width...although, 20 years ago, when the channel was good, they were in the forefront of broadcasting films in their proper aspect ratios.
The version that TCM ran was NOT from the new HD scan that was used for the BLURAY dvd and also broadcast by AX-S network about a week ago---AX-S (formerly HD-NET) ran the correct and latest version , however it is NOT a new print---the source is identical to the SD dvd released years ago---SAME film scratches , defects , etc. , in exactly the same frames---it is however a NEW HD scan which is a vast improvement---TCM dropped the ball running a substandard transfer--- (probably didn't want to pay for the latest version) so they just ran what they had and hoped that no one would notice---TCM is not the best source for films available on other networks---TCM broadcasts in 1080i---but the source signal seems to be about 480p---they just up rez it to 1080i and hope everybody is content---compare "The Train"---"The Misfits" for instance---MGM HD blows TCM out of the water---BUT TCM also runs films not seen anywhere else---AX-S network is running "Hombre" right now in the full widescreen aspect from what is obviously a 1080i brand new scan even though "Hombre" is not on Bluray---this broadcast is the finest version I have ever seen---"Journey to the Center of the Earth" was restored using a red blue green conversion (similar to 3 strip technicolor) done in 1959 from the camera negative to be used for future prints without having to use the negative itself---the original negative is now in such sorry condition that the restoration cost would be through the roof---IF it could indeed be done at all
I didn't know that the former HD-NET was now AX-S. Unfortunately I don't get MGM HD (which wouldn't be broadcasting Journey anyway as it's not part of the MGM/UA library), but the nub of it is that TCM doesn't always use the best prints -- occasionally they don't run a film in its proper a.r. (they did this a few nights ago with the film A Hatful of Rain, run pan & scan instead of 2.35:1), and they have run very poor prints (cut and of poor sound and picture quality) of a few films (Sherlock Holmes, etc.) obtained from some crummy outfit with the misleading name National Film Archives. The name implies this is some "official" film repository but in fact it's just a fly-by-night cheapjack fraud with lousy prints of p.d. stuff. I haven't seen their logo in a while so maybe TCM finally got wise.
I'm not so obsessed with pristine, supposedly "perfect" HD prints as I am with having unedited, complete, good prints shown in their correct aspect ratios and not changed in any way (colorized, different soundtrack, digitally "enhanced" effects, etc.). Except for improving the quality of the actual picture as filmed, movies should be left alone.
Too bad Fox let the original negative suffer from neglect---It would be interesting to see even bits and fragments from that negative---shot in "FOX CINEMASCOPE" in the "Color by Deluxe" process---but it will never happen---it is stored in an underground salt mine in Kansas---all about $$$---it's great that AT LEAST Fox had the foresight to make an RGB transfer way back in 1959---or even the somewhat "muddy" print we have today would not exist---not enuf demand to put the movie in general bluray release---so left to a limited edition of 1000 bluray issues---and---profits from sale to networks (AX-S)---but it will probably show up on various "on demand" options in the future---BTW where is the missing scene where Pat Boone is shown picking out the lava clump from a curiosity shop?---Right---leave the film/print alone---but use state of the art equipment when budget allows to see the thing as it was when first minted---Compare bluray "10 Commandments" to SD version---even though SD dvd and Bluray dvd are from EXACTLY the same print---the (Vista Vision) 1080i version renders all other copies almost impossible to watch---it is almost impeccable---but again---the demand exists for "10 Commandments"---so a profit for "Paramount Studios" is a sure thing.
Ultimately all considerations about which movies to release, and in what quantity or format, are profit-motivated. The prints stored in that Kansas facility are at least being cared for. The problem is that so many films have either had their prints deteriorate or been lost altogether through decades of neglect, including movies made in the last 30-50 years. (People often think this is an issue only with silents and early sound films made 80 or 90 years ago.)
I do not mean the following as an insult, but rather in a way almost as a tribute, but you seem to be far pickier about the quality of movie prints than I or most people. For example, I don't regard the print of JTTCOTE generally in circulation as at all "muddy" -- especially when compared to films whose pictures genuinely are visually compromised. Similarly, it's simply not conceivable to me that the Blu-ray of The Ten Commandments (a disc I've never seen) is of such supreme quality that it "renders all other copies almost impossible to watch". When you speak in such absolutist terms it's not only misleading, in my view, but minimizes vastly more serious problems with films whose prints really do border on the unwatchable owing to years of neglect. A Blu-ray print may be "better" -- cleaner, clearer, sharper -- but to say this is such an improvement that one can't even bear watching an SD disc is, to me, pretty over the top. On the other hand, someone with your exacting standards might be a better choice to determine which films need to be transferred and to oversee such transfers.
Speaking personally, in most instances SD is a perfectly acceptable format for my requirements. Content is more important to me than some ultra-pristine visual improvement, and eventually I'm sure some future process will make Blu-ray look weak. That doesn't mean I accept just any junk print of a film, but for the most part spending an extra $10 or so for what BD offers isn't worth the expense. The few Blu's I've purchased so far are either of films otherwise unavailable in another format (basically a couple of Twilight Time discs), or of a few visually striking movies where I would like to see an even better picture. I bought the BD of Journey for that reason.
Twilight Time's limited edition series (which is of 3000, not 1000, copies) is the result of Fox's abrupt decision in 2008 to stop issuing films from its library. The guys who set up TT decided to do so to mine unreleased Fox titles, but so far, with few exceptions, their choices have been pretty poor, as they themselves admit, and include a few films already issued on standard DVD. They shifted to Blu-only production under the delusion that it was format, not title, that mattered most, ignoring the fact that if they have a title nobody wants the format makes little difference. So far, only three titles have sold out -- Journey from Fox, and Columbia's Mysterious Island and Fright Night -- all of them plainly titles that have a large built-in audience (sci-fi/fantasy/horror always sell), and which in all cases had already been released on DVD. The rest remain unsold because in most cases they aren't titles a lot of people want. (Their list of upcoming Fox releases bears this trend out.) Since last fall they've also begun releasing Columbia films on Blu-ray, but all of these are titles previously available on SD, and they're all major titles, so they've got a built-in audience...even though none of those, except the two mentioned above, have sold out either. Four Fox Blu's were already out on DVD: Journey, Demetrius and the Gladiators, Those Magnificent Men in Their Flying Machines and the upcoming Enemy Mine...which makes four fewer new-to-video Fox titles released by TT. (TT also shifted from Region 1 to Region 0 discs, even before going all-Blu, in an effort to broaden their market.)
By the way, what's this "missing scene" with Pat Boone buying the hunk of lava in the shop? I've seen this film many times over the past 50 years and never saw or heard of such a scene. It was certainly never part of its official release. Perhaps it was filmed but cut out of the initial release print.
I expected a cleaner result picture-wise from "Journey" and if the original negative could have been used---it would have been an improvement---TT's 3000 limit is correct---I was wrong about that---the "missing scene" was mentioned on this board elsewhere---I had completely forgot about it---possibly from seeing the film when I was a kid---I will have to drag out my Laserdisc of the movie and see if it is there ( I doubt it )---anything is "watchable" but "Ten Commandments" bluray is the best quality yet---If I had to watch the VHS pan and scan version because that's all I had---then I would---I will never view the old Laser-Disc version again---although it is not "unwatchable" by any means---just not preferable---Exactly---the best format in the world will not make up for bad material---Dr. Phil in widescreen 1080i is still Dr. Phil---will not watch---Content must be there for sure---I have S-vhs tapes recorded 20 years ago of "One Step Beyond"---ran by sci-fi channel and they were from excellent prints albeit edited to allow for more commercials---the same episodes on dvd are from syndication prints for TV---choppy,spliced,blurry,scratches,bad sound etc.---BUT they are complete---there is no question that the dvd's are almost "Unwatchable"---that is a better definition of my intent---btw "The Eygyptian" with Edward Purdom , an earlier "Twilight Time" release looks pretty good---BUT---most people find the film BORING---early FOX Cinemascope
I like your example of "Dr. Phil" not being watchable even if he were ever committed to 1080i!
I belong to the school where having something on disc, even in a poor copy, is generally (I suppose there would be exceptions) better than not having it at all. But obviously, having the best possible print as source material is the desired goal. For something like Ten Commandments, of course a Blu-ray from the best existing source material would give you the best picture currently available. For me, the issue is whether I care enough about that particular film to spend the money for the BD, and in that case, the answer is no (or probably not). (Interesting you mention its aspect ratio, since TTC's a.r. is I believe 1.66:1 -- if that. There is scarcely any difference between its true a.r. and a pan & scan version -- if indeed they even bother actually panning and scanning for such a small a.r. difference. But to me, those so-called "black bars" are important, even if the picture differential is miminal.)
I'm not a huge fan of The Egyptian, but it's got enough points for me to have ordered it from TT -- the DVD, not the BD. I don't like it that much. The only film TT ever put out on both DVD and Blu-ray...neither one sold out yet.
I still don't believe that scene with Pat Boone ever existed in this movie. Frankly, given the film's temporal narrative, it doesn't seem the sort of thing they'd ever bother filming, and if they had, it's much better off cut. I'm vaguely aware of the post you referred to, someone claiming it was in the movie, but while I can't say with absolute certainty it never existed, I doubt it very much. This sounds more like someone thinking they remember a scene which in fact never existed, which you run into from time to time on IMDb. (It sounds as though you're taking this from that post, not because you've seen it yourself.) As I said before, I suppose it's possible such a scene was filmed, and if so it may have even shown up in a preview version before being cut, but I'm sure it was never in the general release print of the film. But I just don't believe it was ever filmed in the first place.