Clift is amazing


After everything he's been through, after the accident, he is definetly a different Montgomery Clift here, physically speaking. He looks much older than his 38 years. He looks worn out, tired and in pain. It was aching to watch him in some scenes, esp the fight ones, as he no longer is Prewitt from "From here to eternity" however he is brilliant in his potrayal of Noah. He is belivable in his love for Hope Lange, in his heroism, in his need to prove himself to his company, to be accepted as soldier and a man. I think I was never so touched. What a great actor.

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Clift has always been a terrific actor...second only to brando...
but more than the actors, i think this is one of the best WW2 films ever made and it does not get its due...it should be one of the all time greats

"Im just a bum sitting in a motor home on a film set, BRANDO said, and they come looking for ZEUS".

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Yes I love Monty Clift too. He plays the awkward type perfectly. I will never forget a time when I walked a girl home from jr. high that I was sweet on. I was enjoying walking with her so much that I didn't pay attention and when I was saying good night to her, I had to ask her how I get back to the bus stop. That always reminded me of the movie when he brings Hope home and cant figure out how to get back. He says..."No one will find me, ever".

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I agree. I actually prefer Montgomery Clift's acting to Brando's - but that is just my opinion.

Monty was wonderful to look at both before and after the accident because he's just such an interesting individual to behold. His decisions, the things he does with his facial expressions and his hands - they are simply fascinating.

Truth be told, I typically loathe when people refer to Monty as two people - the pre-accident actor, and the post-accident actor. But I am going to do so myself for just a moment. While he always showed a sense of charm and vulnerability in his acting (even when playing a scoundrel such as Morris in "The Heiress"), after the accident he took on a whole new kind of
defenselessness and longing. He possessed a preternatural magnetism and that never went away. Particularly after '56, there was this uncanny mix of hurt and hope in his eyes. The scene from “The Misfits” in which he lays in Marilyn’s lap springs to mind. He sounds so sweet, so surprised that she cried for him in the ambulance. His face is full of wonder and grief. Even his telephone call to his mother (in "The Misfits") is heartbreaking. The way he looks down at the belt buckle while describing it to her; little nuances such as those just slay me as they are creative and true. He was so gifted.

There are a myriad of reasons for listing regarding the tragedy of his death, one of them being that the world lost a great, great actor.

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The seal is for marksmenship, and the gorilla is for sand racing.

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WHAT A WONDERFUL POST!
Thanl you for that

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I agree with your comments about "The Misfits". He played such a sad character- his facial expressions, his eyes and the tone of his voice plus his delivery of his lines make him so believable.

I think he was brilliant as Noah in "The Young Lions".
The scenes with him and Hope Lange were so real and sweet.
One scene that sticks out in my mind is when he's going off to war and as he's walking across the street instead of turning around to say goodbye again he just lifts his hand behind him at his waist. Little nuances like that are what made Monty great.
He didn't have flash but he had incredible style and authenticity.

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He didn't have flash but he had incredible style and authenticity.
This is agood way of describing the qualities that Clift bought to acting and that made him a great actor.
Fatima had a fetish for a wiggle in her scoot

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You know another great movie he is in? It is called "The Big Lift". It's about the Berlin airlift when the Russians closed off all supplies to Berlin. He falls in love with a German girl and well, I wont spoil it for you but check out this movie. Paul Douglas is in it too and he is really great at his part. Ok thanks

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Yip, I've seen it. He speaks german in it and i looooooooooooooove it. : )

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Wow, I found Clift awful in this (tYL), overdoing the vulnerabilty thing, looking like he weighed 90 pounds. I thought his story line was pure schlock and I always resented another helping.

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You mean THE YOUNG LIONS, right? Not Big Lift which we were talking about just now?

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Please don't kill me for saying this, but I thought The Young Lions was very, very weak, and largely so for Clift's performance and/or for the way his character was written. I thought it was way over the top and extremely manipulative. I was cringing during a lot of his scenes and couldn't believe that I was watching Montgomery Clift. I had just three days ago watched his riveting performance in Hitchcock's I Confess, and my brother had been talking up The Young Lions for so long that I thought that I was in for a treat.

I was very disappointed. I thought that it was mainly a trumpet to cry out against anti-semitism and not really about the war at all. I thought that the main story was Clift's character's story and I really liked that aspect the least, Dino's was definitely least important and Brando's was written with too much of an anti-Nazi slant to be believable. I thought that the story was just too manipulative and heavy handed to be taken seriously. It was as bad as a Speilberg production. Not a masterfully written story at all, I thought that it was just a thinly veiled story to build antipathy for any persecution of the Jews, which should go without saying. Maybe it needed to be said in 1959 but I thought it comes off as very forced today.

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The last thing of Brando's that I'd seen was Reflections In A Golden Eye which I thought was possibly the worst movie I'd ever seen in my life. Especially for Brando's performance. And especially for Brando's horrible southern accent.

So, I was quite amused and waiting for hilarity hearing Brando effect a German accent. I had quite a wry chuckle at one of his first lines where he tells Barbara Bush's character that Americans have the worst German accents!

But really I thought that he acquitted himself quite well in The Young Lions, even though his part was pretty much hamstrung by a terrible script. I found him very interesting to watch and he definitely came out on top compared to Clift's very disappointing perfomance in this movie. I'm sorry to say that I did not like The Young Lions at all.

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Please don't kill me for saying this, but I thought The Young Lions was very, very weak, and largely so for Clift's performance and/or for the way his character was written. I thought it was way over the top and extremely manipulative. I was cringing during a lot of his scenes and couldn't believe that I was watching Montgomery Clift.
by - jackboot on Sun Jul 6 2008 19:22:24
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I'm with you. Clift takes his characters one dimension and makes it look like half a dimension. He lays it on way too thick. I hate the kind of movie where the makers spoon-feed the audience a characters humilty, as Clift hits me over the head with his here. He becomes tiresome very early.
Atrocious acting.

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The irony of the tragic accident he suffered and his drinking and drug use did indeed change Monty's looks, but what few people today realize is that Monty went to extreme lengths to create a "look" for the character of Noah.

The truth is that Clift purposely lost alot of weight for the role and had a slight prosthetic on his nose to and had his ears bent outwards slightly with makeup. This was not only an effort to make himself look more ethnic but also to make himself look a bit less attractive, as Noah was a socially shy and awkward man, kind of "geeky" and one who in the book does not consider himself attractive or a ladies man. He wanted that look for the part. Some people claimed this was the result of the accident. Not the case. Altho he was never as beautiful, if you look at him in roles shortly afterwards he does look a bit better.

He is wonderful in the role though; I do agree. That first scene with him at Hope's apartment is so great.

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