MovieChat Forums > The Big Country Discussion > Chuck Connors, an Asset to TBC

Chuck Connors, an Asset to TBC


I thought it was about time he got his own thread at this board. Elesewhere, I have already made some of my own observations about Connors the actor and Buck the character and I look forward to anyone throwing in his two cents that will provide further insights as to how Chuck contributed to making TBC as great a film as it is. On the other side of the coin, if anyone believes Connors was a liability to this film, please do chime in your "whys and wherefores."

"Certain posters" (YOU know who you are, and so do WE) who would like to hijack this thread and cast aspersions on Chuck Connors are inevitable. Be warned that hateful posts will be relegated to my "ignore" function and if the sabotage continues, the admins will be duly informed. But feel free to spread the manure as you wish in the Chuck Connors message board. I just want to discuss his merits (or, as the case may be, the lack thereof) in this picture and maybe a few biographical details and career highlights; even if the man was a thousand times WORSE than our resident "harbinger of hate" likes to make him out to be, it still isn't relevent to the purposes of this thread.

Let me start off with a question: Does anyone know if the merits Chuck Connors' work in TBC are what springboarded him into his own TV Western series, "The Rifleman," or was he already slated to star in that show regardless?

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Oh, I see, a new sock-puppet for spongy/marmjh-2/GeorgeRadcliff, ad nauseum. Who the hell do you think you're fooling, spongy-Ed? I wasn't born yesterday!

But pray continue with the hate crusade. Both of these masks of yours will be tossed in the IMDb garbage can soon enough.

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I don't understand the logic of your post, Edward.

First, I'm unaware of any political stands taken by Rock Hudson.

Second, I'm unaware that one's acting talent relates to one's views about government's role in society or the economy, at peace or war. It seems a strange association.

Third, who would you have preferred to play this role - or the other roles Connors played, such as The Rifleman or Cowboy in Africa? Why would you more readily believe another actor's gestures, line readings, movement as conveying that character?

I think Connors is excellent in this movie - he obviously has the least sympathetic and most flawed role - but he manages still to give you the sense of the character's desire to please his father, his youthful dynamism and energy, his confidence, his joy. When he is doing all those amazing tricks on his horse - vying with his brothers to out-do each other - there's a joy you share in his own pleasure of exertion, of flexibility and strength.

He has many character flaws - he's unjust, deceitful, not particularly intelligent, vain, amont others. And Connors shows these traits superbly. We do believe this character IS this way. We are watching a fine performance by an actor who usually played admirable characters and was stretching himself - and very successfully.

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I think, for the most part, you're right, he was a mediocre actor. This is probably his best film, though, and I liked "The Rifleman."

I've already addressed your comment elsewhere about the age issue between Connors and Ives. Yes, in real life, Connors would have been too old to have been the son of Burl Ives. However, the character Ives is portraying is older than Ives himself. Ives also gave a critically acclaimed performance as "Big Daddy" in "Cat on a Hot Tim Roof;" this, too, was an older character than the actor portraying it. You have to admit that Ives looks quite a bit older than 49 (his actual age in TBC). Rufus is closer to the Major's age.

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[deleted]

You're venturing into territory that is not relevent to the opening post. Why not create your own thread somewhere else if you want to go so far off topic, spongy Ed?

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IMDb now has a written message concerning your malicious activities as sponge417 and EdwardCarter. If you get banned, you have no one to blame but yourself, because your evil posting history speaks for itself.

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[deleted]

Well, a few evils I DON'T indulge in are sabotaging other people's threads or spreading unproveable hate-gossip or telling outright LIES the way you do, spongy-Ed.

Whatever "evil" I need to atone for in this life, I just thank God it ain't the same kind of monstrous, hate-filled evil that YOU posess to your very core. I would not put ANYTHING AT ALL past you. You are someone that people will be reading about in the newspapers someday, and it won't be the kind of copy that would enable any of your kinfolk to hold their heads high, I'm afraid.

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HUH? I don't even remember a character named Pete Seegar in The Big Country. Was he one of the hired hands?

Are you instead referring to the singer - the man they call "Stalin's Songbird"? - what has that to do with this thread?

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Sponge is a LOSER.

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I think TBC might have had something to do with Connors' being cast in The Rifleman, but I honestly am not sure. Connors was a workmanlike, if not outstanding actor, but when well directed was more than up to the task of presenting the material he was given. Basically, Buck Hannesey was a character he could do justice to, as was Lucas McCain...but he was no Shakespearian, and thank God for that! He was better in westerns and police dramas, anyway.

There was a certain way Connors could look mean one minute (TBC) and like a good man with a dark side (McCain) the next...he was one of those actors who needed the right material to shine, and fortunately, he usually got the right material.

If you hadn't figured it out, I enjoy watching Connors' work and I think he did a fine job with what he was given.

"It's a hard country, kid."

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Connors's performance in this film is yet again proof of the fact that William Wyler was the finest director (of actors certainly) Hollywood has ever known.

Chuck Connors was at best a "workmanlike" actor, as Conagher_1880 says; his talents were limited and the fact that he was relegated mostly to routine westerns and action films demonstrates that he was most at home in such films (and in his similar TV shows). His dramatic abilities were generally modest, though in fairness he rarely had to push himself very much in the roles he was given. He wasn't bad, just ordinary -- a solid, competent professional, effective within a narrow range, like many another actor.

But in The Big Country, given a well-written part but most importantly the best director in motion pictures, Connors really shone. He demonstrated a capacity for nuance and subtlety he was rarely required to show. And it was Wyler who brought out the best in him, made him reach deeper inside himself to come up with a convincing portrait of a cowardly bully. The role also stands out in Connors's career since it's one of the very few times he was called upon to play something other than a standard hero.

I suspect he liked the part for that very reason -- the chance to play a character at odds with the usual macho types he was given. That, along with the merits of the character as written, but most of all Wyler's exacting demands upon his performers, enabled CC to rise above his usual unremarkable performance and turn in something special. Too bad he had so few opportunities to stretch his talents in such a way. Given the right combination of circumstances, Chuck Connors proved he could be more than just routine; he could be close to outstanding...even if it really happened only once in his career.

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I think, on some occasions, Connors came close to the benchmark he set for himself in TBC. He gave at least a few stand-out performances in his long-running TV Western, "The Rifleman;" also very effective as villains and unsympathetic characters in the 1970's, especially in "Roots." Other than that, I'd agree that his work was mostly pedestrian, though probably never terrible.

What you say about good directors bringing out the best in even mediocre actors really rings true. John Wayne is universally tagged as "the guy who can't act because he always plays himself." But the work he did with John Ford, Howard Hawks and Alan Dwan ("The Sands of Iwo Jima") proved that even the Duke could occasionally surpass standard fare and formula in his acting. "The Searchers," directed by Ford, remains not just John Wayne's best acting job but one of the better performances in screen history; nevertheless, he probably coudn't have attained this zenith in his acting without the cinemataic custodianship of John Ford.

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Yes, you're right about CC in Roots. Basically I agree with your assessments.

Interesting about Wayne vis-a-vis Ford, though. Ford liked Wayne but always condescended to him a bit, wanting to control his career, in a sense. He spent time with him throughout the 30s, when Wayne was doing almost nothing but B westerns, but didn't give him a role until Stagecoach at the end of the decade -- though of course that proved to be the break that made Wayne's career.

Anyway, when Ford saw Howard Hawks's Red River in 1948, he was stunned. As he said to Hawks afterward, "I never knew the dumb son of a bitch could act." Over time I've watched and re-watched Wayne's performances and have realized he was usually a pretty good actor, often very good, and of course he got better as he went along. Few actors really "disappear" into a role, they all play themselves at least a little bit, but that doesn't mean they can't act well. I prefer a natural actor who understands the character he's playing but who also imparts something of his own essence into each role, as opposed to someone like Meryl Streep, whose main drawback, in my view, is that she's clearly always "acting", never natural. Olivier was similar, and to me similarly overrated, in many repsects. You shouldn't let the work show.

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Who was it...? Frederic March, or John Barrymore, or ONE of those "high-brow" actors, that said he thought Gary Cooper was the best actor in the business because of his own "naturalism" in his acting? I just watched "Pride of the Yankees" and "Sergeant York" after probably over 20 years since my last viewing of those movies; danged if whoever said that about Coop was TOO far off the mark! He was BORN to play Alvin York and Lou Gehrig, no two ways about it!

And thanks for your assessment on the Duke, hobnob! I happen to like MOST of his film roles, even apart from his work with directors Ford, Hawks and Dwan. Although it's pretty certain that those top-tier filmmakers took Wayne to cinematic heights not attained before and seldom since; nevertheless, his performances under other directors in films like "The Commancheros," "The War Wagon," "The Cowboys," and of course, "The Shootist" are more than adequately executed (and those oaters are just plain fun and entertaining all the way through!)

Getting back to Chuck Connors: Every time I re-watch "The Big Country" I hate his character, Buck Hannesey, less and less and feel more and more sorry for the guy! Buck is vulgar and can be brutal and cowardly, but I think it was his father Rufus's own failing that he had, in Buck's youth, neglected nurturing his son toward more admirable qualities. And I think I actually LIKE Buck, at the beginning, when the rascal is doing his knife-throwing practice and seeing how close he can come to the foot of one of his brothers without hitting it!

Connors, as Buck, was able to evoke mixed emotional reactions from the viewer by his being, on the one hand, a shabby, unrefined loser and a bullying oaf; and, on the other hand, earnestly craving more than anything the love, respect and approval of both Rufus (Burl Ives) and Julie (Jean Simmons)--but sadly, the deck was stacked against him in that regard.

Although William Wyler deserves tons of kudos for bringing out of Connors' "innards" the ability to, paradoxically, be sympathetic and unsympathetic SIMULTANEOUSLY, it remains true that Wyler would have gotten nowhere if a lesser actor had been cast as Buck. So, here's to Chuck Connors: Truly, an asset to "The Big Country!"

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Excellent assessments, vinidici...although I can't quite trail along after you about liking ol' Buck any better the more I see him!

I'm sure he turned out the way he did because of something in his upbringing, at least in part...but then, we only see Rufus's attitude toward Buck at the last stages of their lives, when Rufus had clearly seen his son hadn't grown up to be the man he'd hoped he'd become. Maybe Rufus had been a good father, but gradually grew angry and disillusioned when Buck turned out so bad. This could be much of the reason why Rufus is seen as so down on Buck, so disrespectful of him -- and yet, even at this late date he still tries to make something better of him, encouraging him to court Julie, to be gentle with her, even -- gulp! -- to take a bath (which Buck clearly finds so distasteful a prospect the look on his face almost makes it seem he regretted lying about his relationship with her to his old man!). Rufus clearly wants Buck to be a better person, but it's not really clear how much of Buck's failure to become one is due solely to his upbringing, or whether he turned out bad even though his parents tried to raise him right. Not everything can be laid at the parents' door.

Interesting, though, to consider how each man's (Rufus and the Major) offspring turned out so "bad" -- Buck, a coward, braggart, bully, liar; Pat a spoiled, vindictive, selfish, judgmental woman. And each with severe father complexes -- fear and hatred for the one, unrequited love, even secret lust for, the other. Both 19th-century basket cases.

I always thought the script struck an imbalance between Rufus and the Major -- that the latter came across as far more violent, unfair, vindictive (again!), preternaturally obsessed with the Hannasseys while Rufus is defensive with the Terrills only out of necessity. It always struck me that Rufus was not only the poorer, more put-upon and more dependent (on the Big Muddy's water, for instance) of the two, but as someone who would have preferred to have been left alone, and was forced into fighting only because of Major Terrill's aggression. By extension, I suppose, I feel more sympathetic to the Hannasseys' plight than to Terrill's. Even so, that doesn't extend to any sympathy for Buck. He makes the worst of all the situations he's in and only makes things harder for his family, knowing the Major's predilection for attacks. And he just won't stop lying or making trouble. The only scene in the film where I feel for Buck is where Leech and his men drive the Hannasseys' cattle away from water, and he yells back that Leech should ride home and "shine up the Major's boots." In that one scene, you really see Buck unjustly victimized (and also in his father's subsequent reaction, when he demands to know why Buck and his outnumbered men didn't fight back -- an understandable but unreasonable reaction given the circumstances).

Nevertheless, we concur -- Chuck Connors is an unqualified asset to TBC!

And I agree with your Duke assessments, too...but remember that The Comancheros -- one of my favorite westerns also -- was hardly helmed by some lesser director, but by none other than the great Michael Curtiz, of Casablanca, among other, fame; whose last film it was (Wayne directed a few parts of it when Curtiz became ill, but refused any credit).

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Great post, hob! Hey, we oughtta make a regular thing outta these mutual pats on the back!

You're almost certainly correct that Buck has his own sins to bear and only so much, if any, can be lain at the feet of his pa, Rufus. And I really only found him likeable in his opening scenes with his brothers, when Buck does his knife-throwing practice and, a little later, when he and the boys "rowdy up" to give Jim McKay "a Texas welcome." Even McKay was taking it like a good sport! It was spoiled by "Pat the brat," however, who turned this harmless prank into a dangerous one, when she grabbed the rifle; this, in turn, would later lead to the severe beatings of the Hannesey boys (save Buck, who was *conveniently* nowhere to be found when Terrill's crew rounded up Buck's brethren) and escalating tensions between the Terrill and Hannesey ranches and communities.

But I still pity Buck for being the loser he is--and even McKay didn't have the heart to slay this pathetic wretch who cowered when McKay had him dead to rights in their duel. And maybe he wouldn't have tried gunning down McKay (who won the duel fair and square) and got himself mortally wounded by his own pa if Rufus hadn't completed Buck's humilation by spitting on him in front of McKay and Julie. Knowing Buck for the generally worthless character he was, though, I gotta admit he'd have surely tried to settle the score between him and McKay later on, had he not been spat upon and, seconds later, gunned down by Rufus.

I would imagine that, even though Rufus was much less guilty than the Major for all the bad blood that existed between them, Rufus more or less knew that he must die with the Major as the only way to end the war between the Hanneseys and Terrills once and for all, in order to save what was left of his family and for the sake of the rest of his ranch hands and community. Having just shot down his eldest son (whom I suspect, despite everything, Rufus had loved even more than he did the rest of his sons), I have the feeling that Rufus no longer cared if he lived or died but was determined to put his own death toward a greater purpose, if die he must.

I created this thread because, every now and then, someone would speak up on behalf of the terrific performance that Chuck Connors delivered in TBC. (At the time I OP-ed it, there were no threads in this forum dedicated to Connors' worthy work in this picture--only those occasional "kudos" remarks in other TBC threads; but now, there's at least one other Connors thread here and "Chuckeroo" must be up there somewhere looking down and "blushing at our gushing.") Unfortunately, this thread got off to a rocky start, no thanks to spongy-Ed (who, alas, I have no doubt, will bring his unwelcome presence back at this thread, before it's all said and done); but it's posters like you, hobnob, and others who have frequented the TBC board, who have made this thread worth it to me. Intelligent insights and civil conduct with persons of some kind of maturity are always welcome here, even if we can't always agree on every little detail or insight and must quibble on a point here and there. This is the kind of behavior and attitude that the above-named, ever-combative troll will never understand.

Yeah, I was aware that "The Comancheros" was Michael Curtiz's directorial swansong and that John Wayne had to wrap up the directing chores when Curtiz died during or shortly after production. Agreed that this is yet another example of superior work by the Duke that owes so much to the pantheon of top-notch filmmakers and industry giants like Curtiz, Ford, Hawks and Dwan.





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Once more, I can do little more than echo your comments, vinidici! I always thought Rufus deliberately laid himself open to getting shot by the Major at the end, even though he had shot him first and certainly could have either finished him off immediately with another shot or stayed out of range until Terrill died. But he just walked right into it, with what could only be described as suicide in mind. You're absolutely right about his feelings towards Buck -- look how he cradled him in his arms after he mortally wounded him, damning him for making hm shoot him, sobbing all the while. After that, I think he had no desire to live, and, as he said to McKay when he caught up with them riding out of the canyon, "You were right -- this is between Henry Terrill and me." You caught it -- he realized that the only way to end the war was to have the two men responsible for it die -- himself and Terrill. And, of course, it worked -- everyone else just called things off and rode away real peaceable-like. But I think he might not have made this ultimate sacrifice had he not just had to murder his own son, an action that was an outgrowth of this ongoing battle with the Terrills.

Contrast Rufus's actions with the Major -- you cannot even conceive of him making any such grand gesture, even a lesser one that didn't entail anyone's death, in order to stop the war. The Major was in some ways much like Buck -- not a coward, certainly, but a bully determined to use every unfair advantage against others. Whereas Rufus insisted on a fair fight between Buck and McKay in their duel -- to the point of killing Buck when he violated the rules and then tried to shoot an unarmed man -- the Major encouraged fighting between McKay and Leech and other violent acts. Rufus fought only when he had no choice. Hannassey wanted peace and to be left alone. Terrill wanted bloodshed and conquest: total war resulting in total victory and a dead foe. That's the main reason, as I said in my previous post, that I could never see this as a conflict between equally stubborn and menacing men. It's really all Terrill's war, thrust upon the Hannasseys. The Major may regard Rufus and his clan as "something out of the stone age", but though he lives an outwardly more civilized existence compared with Rufus's crudities, it's he who's really behaving more like a mindless cave man, trying to buy off or kill everyone he dislikes or who stands in his way, and all for selfish purposes and an enjoyment of inflicting pain and destruction on others.

Rufus treats McKay tough but like an equal, as a man; Terrill tires to humiliate him in so many little ways -- and remember his boast to Pat that "I'll make a Terrill of him yet." He even means to conquer and subdue his son-in-law, something Rufus had no desire to do with Julie when he thought she was really "sweet on" Buck -- in fact, as mentioned previously, he tries to push Buck into being more like her -- refined, cultured, with dignity and gentleness. Forlorn hope, but it shows the vast difference between the two men's attitudes and priorities.

As to your other non-TBC observations, I have often made virtually precisely the same plea for civility of discourse and respect for other opinions you mentioned, and have run into other such persons as the individual you had your conflict with earlier. I am refusing to reply to, or even read, two posts on two other sites, where I have had conflicts with other persons who are just plain abusive, constantly distort or lie about what I said, and incessantly resort to gratuitous insults and name-calling to make themselves feel superior. Unfortunately I have sometimes replied in kind but with efforts to end things, to no avail; so I made my last posts on those threads my actual last words, and have allowed those guys to have their final, triumphant say, since it means so much to them. I haven't read them and don't intend to, let alone answer. It's too bad we get such people here but that's the risk we take. But it is sometimes hard to avoid responding in kind, and I don't feel any the better for lowering myself to that level. I think you understand what it's like.

But discussing things with you (and the vast majority of others here) is an entirely different matter, and I enjoy these posts, the new ideas and points of view, and learning new things -- all done in a respectful, civil, friendly manner. I can't understand the ones who insist on being the Buck Hannasseys of IMDb (or the Henry Terrills) -- but finally, I realize it's just better to let them be. They can't change or be reasoned with, so let them have their little self-imagined triumphs. They're the only kind they can get, I expect. Rather sad and pathetic, actually.

Anyway, I too am glad we hooked up on this thread and hope to enjoy many other discussions with you, here and elsewhere. Thank you for your kind and insightful remarks, and I look forward to more, on this site and on others. You are a true and learned gentleman (maybe like the unseen Clem Maragon?)!

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Once again, I must bow in acknowledgement to your spot-on analysis of TBC's characters and their motivations, hobnob.

I'm not really sure, though, that Rufus was the total victim in all the history that happened between him and the Major. I'd agree that he was definitely "a book that shouldn't be judged by its cover," but really, it takes two to engender bitterness and strife. McKay, and Clem Maragon before him, both realized this and both men made worthy, self-sacrificing efforts to make peace between the Hannassey and Terrill clans. If either of the two men had been total ogres and obvious villains, Maragon would have tipped the balance in favor of the wronged party. And it must have been Maragon's presence of mind that made any kind of peace possible. I don't think Rufus was entirely a put-upon, wronged innocent in the whole matter; however, it's plain enough that Terrill was the worst offender between the two. Could it be that Rufus had, many years prior to where we find him in the narrative, been much more combative and ruthless against his competition (the Terrills)? But with advancing age and wisdom (and unlike the Major, who never developed that trait) and, probably having been in no dismissable way influenced by someone Rufus admired and respected (Maragon), began to realize the cost and futility of this sometimes hot, usually cold war between the two ranchers?



As to your other non-TBC observations, I have often made virtually precisely the same plea for civility of discourse and respect for other opinions you mentioned, and have run into other such persons as the individual you had your conflict with earlier. I am refusing to reply to, or even read, two posts on two other sites, where I have had conflicts with other persons who are just plain obusive, constantly distort or lie about what I said, and incessantly resort to gratuitous insults and name-calling to make themselves feel superior. Unfortunately I have sometimes replied in kind but with efforts to end things, to no avail; so I made my last posts on those threads my actual last words, and have allowed those guys to have their final, triumphant say, since it means so much to them. I haven't read them and don't intend to, let alone answer. It's too bad we get such people here but that's the risk we take. But it is sometimes hard to avoid responding in kind, and I don't feel any the better for lowering myself to that level. I think you understand what it's like.

Boy, do I EVER! LOL! Wish I could say I never sullied myself in dealing with such jerks. It's so hard to resist, though!

But discussing things with you (and the vast majority of others here) is an entirely different matter, and I enjoy these posts, the new ideas and points of view, and learning new things -- all done in a respectful, civil, friendly manner. I can't understand the ones who insist on being the Buck Hannasseys of IMDb (or the Henry Terrills) -- but finally, I realize it's just better to let them be. They can't change or be reasoned with, so let them have their little self-imagined triumphs. They're the only kind they can get, I expect. Rather sad and pathetic, actually.

Amen to that! I actually tried, many times, to reason with, to be persuasive with "my troll," but the guy doesn't budge in the slightest. He has his mind made up on EVERYTHING and, if you know him like I've come to know him during the past year, he's hellbent on starting fires and, you're right, nothing will EVER change him and it IS sad and pathetic because he's really hurting himself more than he thinks he's hurting anyone else. (Loved your analogy, re: "Buck" trolls and "Major Terrill" trolls! )

Anyway, I too am glad we hooked up on this thread and hope to enjoy many other discussions with you, here and elsewhere. Thank you for your kind and insightful remarks, and I look forward to more, on this site and on others. You are a true and learned gentleman (maybe like the unseen Clem Maragon?)!

Thanks, hob--I try! We have some more posters like you at these boards--cwente is the only one I can think of (by name), offhand--but you hombres are all too rare of a breed "in these here parts" and it's always refreshing to hang with you guys and learn a thing or two while doing so.

BTW, you're in for a mixed bag of goods if you check out the "The Searchers" and "The Man Who Shot Liberty Valance" boards! There's one, pseudo-intellectual poster there who has tried to insinuate his "all-knowing" preeminence there, and his VERY off-putting manner hasn't set well with the rest of the posters! I've found it amusing and sometimes infuriating, but also it's interesting to read everyone's insights, even those of said pseudo-intellectual's, who, like the proverbial broken clock, is right MAYBE twice a day!




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I agree that Rufus is probably not a completely put-upon innocent, but the weight of evidence -- like his weight in the saddle -- seems clearly on the side of marking Terrill as the primary disturber of the peace. As you point out, McKay proposed, and Clem Maragon pursued, an even-handed approach between the two sides to keep the peace. But Maragon may have done so to safeguard his own land and security -- if he had titled toward the Hannasseys, he would have brought about an end to the uneasy peace and in addition endangered his own position and rights, to say nothing of making things even worse for Rufus et al. As a neutral locked between two warring factions, he was in a difficult and delicate spot and needed to protect his own independence and territorial integrity first. So the fact that he didn't tilt toward either side does not necessarily mean he felt both sides were more or less equally at fault.

As to our "friends" abounding through some boards, as I said before, I'm trying to let them go and not give them more fodder to spread their venom and ignorance. But you're right, it's sometimes hard not to succumb and respond in kind. However, I'm finding it no problem at all to ignore the latest two missives of the pair I mentioned, and have no desire or even curiosity to go look, let alone reply. Surprisingly, it's rather easy. Thank God!

Anyway, most of us are firmly grounded and respectful -- not to mention probably smarter and more perceptive! -- so I'm more than happy corresponding with people like you, and many other friends I've come into contact with on IMDb. We're the lucky ones, not those arrogant pariahs. (Or should that be "piranhas"?) See you soon!

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A few years ago I had started an IMDB thread (pre-2006) regarding my opinion that Chuck should have received the Best Supporting Actor award for his role in this movie rather than Burl Ives. I guess the thread is too old as I can't even find it in my posting history now. But I heartily agree with the notion that Chuck Conners was totally awesome in this movie and am glad someone out there feels the same way I do. He went through an impressive array of different emotions and was very impressive. Ives was good, but his usual blustery self.

As for those that critique the acting of John Wayne, go sit down and watch the movie "Rio Grande". Pay close attention to the scene where the Sons of the Pioneers are serenading Duke and Maureen O' Hara. They don't speak a word, yet their reactions to the lyrics of the song tell a whole story. Brilliant.

It's a sad things that westerns aren't made much anymore. One of the interesting things that came from Jane Fonda's ill-advised trip to Hanoi was General Giap relating to her his sadness of his troops having to kill American cowboys, whom he had idolized from watching movies as a child. The western identifies us like Shakespeare does for England, and the samurai for Japan. It is unique to us and I am grateful for any western made nowadays.

Happy Trails Y'all!

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Vin, I feel exactly as you about Buck - with one exception. I am not at all sure that he truly craves more than anything the love of Julie. If his father's approval weren't dependent on winning her favor - I think he might have chosen another. I don't ever get the feelig that Buck has any idea what she's about - or admires anything particularly about her - he just finds her pretty and she owns The Big Muddy - and his dad really wants him to marry her, and it would be a huge feather in his cap.

It's not Buck, but his father who cares most for her welfare while she's a captive.

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I think we can dust this thread off, now, after more than two years since the last post and, even better, no longer having to worry about further sabotage by the trollish antics of "you know who" lol! Any aficiandos of TBC out there, new or old, who might have a kind or insightful thing or two to say about Chuck Conners in what is probably the performance of his career?

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Personally, I enjoyed his performance in this.

If at first you don't succeed, you're not Chuck Norris

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I'd never heard of him before. I've just watched the film for the umteenth time and always enjoy watching the vile Buck! He really was bad through and through, and I thought it about time I found out who played him so well.

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I have yet to see The Rifleman, but I absolutely ADORE Connors as Buck here. He's able to bring out how Buck is a slimy jackass, and I can't get enough of his performance. My favorite moment is after he shot at Peck's character early and plans to shoot again, but then his face changes when he realizes he used the only bullet he had and Peck's character could easily kill him. I also love how well he seems to bounce off of his cast mates, mainly Ives and Simmons. Definitely a great performance.

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Connors and Peck had at least one previous partnership, in _Designing Woman_, where Connors played a baddie involved in, I believe, boxing; and Peck was a sports reporter trying to uncover the scandal, while dealing with his newly-wed, played by Lauren Bacall. It's a very fun movie, with a great supporting cast which includes Mickey Shaugnessy ("I'm making a come-back. You know?" was a favorite quote of my father's); and Jack Cole, who is part of one of our family's very and mostest favorite fight scenes in the movies. Also the fantastic Dolores Grey.

Connors and Peck play very well here, and it reflects interestingly with their moments in TBC. I like Connors very much, and remember liking _The Rifle Man_, though it's been many a moon since I've watched it; and when I did, it was Paul Fix I ... fixed ... on.

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Just watched TBC for the first time, and I thought Connors was spot-on. I have new respect for the man.

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Connors was terrific in The Big Country, and should have had an Oscar nomination for best supporting actor. His work was damned good in all he did, movies and television. Without a doubt the best of all the athletes-turned-actors.

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Without a doubt the best of all the athletes-turned-actors.

Out of pro-sports, I can't think of anyone who could outact Connors. But as far as athletes in general go, there's always Burt Lancaster (previous career: circus acrobat.)

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Yes, I should have been more clear. What I meant was professional ballplayers who changed careers to acting. And I agree about Lancaster--great and always athletic.

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I just watched "The Big Country" again. Connors was so good! His reaction when Rufus suggests taking a bath was among the most perfect acting moments I've ever seen.

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I always liked Chuck Connors as an actor--he had a very accessible, likeable onscreen demeanor, even when (ironically) he was playing "bad guys".

He was VERY good in "The Big Country"; one of his top roles, along with "The Rifleman". The scene where he's in the shootout with Gregory Peck, on the ground, and simmering in anger and defeat, finally shot-dead by his own dad for his cowardice, is excellent.


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I JUST WATCHED big country. on a.m.c which is something i almost never due because of commercials. chuck connors did a very good job. i cannot understand why people do not appreciate his work.but so it goes...

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I read that Chuck was picked to be Lucas McCain in The Rifleman based on his short part in the Disney classic "Old Yeller". Which seems more likely, because that was a part that was closer to Lucas than Buck Hannasey was!

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Well, I did pose the question in my OP because I wasn't 100 percent sure that TBC was what clinched the Lucas McCain role for Connors. Thanks for your input on that.

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I'm glad Connors gets so much respect for his performance here, I thought he was wonderful in most of the things he did.

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I thought Chuck Connors was marvelous as Buck. I never have been a particular fan of his, but in no way did he give a lousy performance! He was fantastic! He held his own with Burl Ives, Peck and Jean Simmons, all of whom were exceptional. I personally think he gave the better performance than Chuck Heston.

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Chuck did convincing things whether thru direction or his own that did a superb job of exhibiting the limited intelligence of Buck. Delayed reactions, "Buck are you blind?", and way he states the obvious: "Don't forget, Pa, she owns the Big Muddy". '

He was not a sympathetic character, Rufus pointed out that Buck has shot people who were less able to defend themselves, and beat women.

The added swagger was effective too, and showed the bluster on top of the base cowardice.

I always figured every average actor has a great role in him, this was Chuck's.

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Sul-4, terrific analysis and absolutely spot on! :-)

Okay folks, show's over, nothing to see here!

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