TOP FILM SCORES


I don't personally think this is the best western ever made (although the integrity of the anti-violence theme is remarkable for a western in 1958 - or even today). I do, however, feel strongly that the music soundtrack by Jerome Moross is the best film score ever composed for a western, and one of the top ten film scores ever. The scope of the themes is unmatched, and evokes the sweep and majesty of the wide open spaces like no other music I have ever heard. I'd love to hear what other opinions are on this, but they won't sway my feelings one way or the other. This soundtrack (which I own) will always be a personal favorite.

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The Princess Bride - Mark Knopfler
2001 A Space Odyssey - Various Classical Composers
Pink Floyd The Wall - Pink Floyd
Fargo & Millers Crossing - Carter Burwell
Casablanca - Max Steiner
The Graduate - Paul Simon & Art Garfunkel
Dancer in the Dark - Björk
the odd conglomeration of jazz and classical tunes in just about any Woody Allen film.

This list is by no means complete, or in any sort of order, it's just what I liked that I didn't see, and I saw a lot that I liked.

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For the record: Dave Grusin composed the SCORE for The Graduate....yes, there WAS a score, not just a bunch of songs...

"Principles only mean something if you stick to them when they're INconvenient"

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I agree that this score is the best western movie score and westerns, especially Ford/Wayne westerns, is my favorite genre.

It was interesting to read all the different scores people nominated for top 10, most of which I agree with. However, I was surprised not to see on anybody's list one of the greatest scores ever written. It is even played sometimes on classical radio stations.

That would be Erich Korngold's (sp?) The Adventures of Robin Hood.

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I like Korngold's The Sea Hawk score much more than The Adventures of Robin Hood. Better film too IMO.

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You can get a little taste of this score at http://www.reelclassics.com/Actors/Peck/peck3.htm

including a snippet of the main title theme..that just grabs you the moment the film begins.
R/click & d/l for the best sound.

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The Big Country - my favourite film; the Big Country - my favourite film music.
I still have the original vinyl LP disc released with the film in 1958, but have always wondered why a piece of music in the film is NOT on the LP. It accompanies my favourite scene of the film. This is when the Major says "So, I'm alone in this", gets on his horse and rides into Blanco Canyon. Foreman Steve watches him go, but realises he has to follow, casting a glance to him when he finally catches up, which says "Well I'm here against my better judgment". The rest of the crew then ride around the bend, all to this great music accompaniment. But why was it not on the LP?

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I saw this film only once when I was 8. I can still remember the score and most of the movie (Jean Simmons looked just like my grandmother, just younger), the movie made quite an impact on me. I remember my parents taking me to the drive-in (I always went in my PJ's and had my pillow but I didn't sleep at all). I remember vividly the "big country" and especially the music. My husband and I were discussing great westerns last night and I could even still remember the name... which is how I got to this site. Fun to see other people have enjoyed it too and still talk about it.

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I was first introduced to the score to The Big Country in 1962 when I was 7 and living in Cheyenne, Wyoming. As you might imagine, you heard it all over that town. So a part of me will always associate this score with my memories of being a child living in the West. Which just makes me love this score all that much more.

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I thought it was a good, sweeping film score but it's too derivative of Copland to really be something unique and special. The music accompanying the charge at the end (and used earlier as well) was a great piece of music.

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I agree that the film score for The Big Country is without equal for westerns.
The main theme draws the listener into the film as a beautiful sunrise draws one into the day. It's grandiose splendor is so captivating I feel like I am in
the saddle crossing the vast land and admiring the beauty before me. Only a fantastic musical score can do that and sometimes it is what makes a picture. However, the film still stands as one of the great westerns of the cinema.

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I am - without question - one of the sraunchest boosters for this score, but I can not agree it is without equal among western scores.

I would cite:
One-Eyed Jacks by Hugo Friedhofer
The Magnificent Seven by Elmer Bernstein
Jubal by David Raksin
High Noon AND The Gunfight at the O.K. Corral by Dimitri Tiomkin
and most certainly Silverado by Bruce Broughton as being the equal of Moross' work for The Big Country. All very differnt, but still its equal in quality and originality.

"Principles only mean something if you stick to them when they're INconvenient"

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I just watched the movie. The score was so iritating that I thinked to turn off the TV, but I endure the torture.

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Thanks for that erudite comment...we'll all cherish it, I'm sure.

"Principles only mean something if you stick to them when they're INconvenient"

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