All One Shot - Hand-Held Camera on Bus and Street
I was amazed at one specific shot that others may have already mentioned, but I feel deserves its own topic thread. When the scene starts, we are on a bus filming the female lead with a hand-held camera. Suddenly the bus stops and we follow the girl off the bus into a large crowd, and as we follow her as she makes her way though the crowd, frantically trying to get through, the camera interprets her own turmoil at not getting home quickly by shifting with her and following her right to the edge of a parade of tanks, and as she tries to get across, the camera suddenly, totally unexpectingly, rises, as if on a crane, and shoots the parade as it approaches towards us below, and the girl runs off through the tanks to the horizon. It was all ONE SHOT, and it was breathtaking, especially since this is not a shot I ever see in a film from the 1950's. It was brilliant. I wish I could see how the crane shot was done without the cameraman shifting or hopping up in any noticible way. As an audience, we have sense-memory of the transition, and this was seamless.
share