I don't think that's true. Yes, "Raw Deal" and "T Men" show off how fantastic John Alton is and how fantastic B&W photography can be. But, "Tea and Sympathy" is very distinctive to people who know Technicolor films. It's subtler yes, than B&W, no intense darks and lights, and Vincent Minnelli was dictating a distinctive color pallette, but there were two scenes that made me gasp, because they were so beautiful. And I think it had to do, not only with the lighting, but the camera movement as well. It is very apparent that the film was photographed by someone who was a class apart.
Check out Picnic. Same thing. Color film made in the late '50's, but it's very apparent that the photographer was a genius: James Wong Howe.
Black Narcissus: Jack Cardiff.
reply
share