It's almost, but not quite, a revisionist Western -- way before the revisionism of the 60's. At first, it seems there are no heroes, only the anti-heroes. The exception being the Juaristas, who just seem pathetic.
Trane seems almost as purely mercenary as Erin, although hints at his deeper nobility are given throughout, and then toward the end we find out that he is trying to earn big money to restore his old plantation -- and to rebuild the lives of many others on that plantations, and then at the very end he falls for the girl, sympathizes with the Juaristas, and even cries after having to kill Erin.
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