I agree with Denis-38: there is absolutely no motive for Rose to kill George. I don't know what scenes may have been deleted prior to release (this always happens), but if they did provide information as to her motive they should never have been cut out.
We know George is a rancher, but nothing is said about whether he's wealthy or not, though the inference is he's not -- certainly not enough to risk killing him (though he's clearly not poor). Another poster said it was ridiculous for her to kill him and end up in prison for life (or very possibly executed), and I agree.
Contrary to what some have said, however, it wasn't hard for a woman to get a divorce in the 50s -- remember the term "going to Reno?" The law was stacked against men, for whom a divorce was extremely difficult if not impossible unless the wife consented. But while not as "easy" (is it ever?) as today, a woman could get a divorce without too much trouble -- not to mention that the community property and alimony laws were also heavily slanted in women's favor, which meant Rose would have gotten a hefty portion of George's assets (at least 50%), plus a monthly allowance and alimony until she remarried. (And the husband paid the wife's attorney.) So Rose could have made out like the bandit she is, at no risk and a lot of profit.
There's nothing to indicate she wanted to kill George simply for the sake of killing him, though she was clearly a scheming, heartless tramp. The problem, and the plot hole, is that, while she obviously wasn't above killing him, there was absolutely no need for her (and her lover) to do so. It seems they were just too greedy and stupid to let her simply divorce the guy, make some money out of it, and go away free and clear.
Compare their lack of motive with the solid one Rhonda Fleming and her lover, William Lundigan, had in another excellent (and overlooked) thriller from Fox in 1953, Inferno. There, they left her very wealthy and arrogant husband (Robert Ryan) to die in the desert after an accident (they didn't kill him outright). The plot made it clear that if she divorced him, their early version of a pre-nup would have cut her off from any more money, thus giving them a motive for their act -- which was spur-of-the-moment, not premeditated. This was a much more developed and logical story line than in Niagara.
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