"1) At the end of the movie, he exclaims something to the effect that he thought the whole thing was a gag, especially after meeting "mom", and yes, he is crazy for Su-Su."
mwmtampa: I like your first alternate ending better. Unlike some posters here, I wouldn't like the idea that he knew all along. I'd prefer it that he took her at face value at first, but then throughout the movie he begins to notice and make mental notes of how mature she sometimes acts for her age or looks in a certain light and perhaps is even attractive, but he won't let himself think along those lines 'cause she's just a child (he keeps reminding himself). However, once he arrives in Stevenson to pay Su-Su a quick visit he begins piecing things together, especially after meeting the "mom" and noticing the uncanny resemblance (that plants the seed) and then becoming more suspicious when he decides to stop by the school to surprise Su-Su only to find it closed, but then running into someone who knows Susan (an old school girlfriend, perhaps) and learning more about Su-Su and finding that he's smitten with the woman she truly is. I think the ending would work best if it's not so rushed and the movie spends some time (but not a lot) from his perspective as he discovers the real Susan Applegate.
Furthermore, I don't think the film should end at the train station entirely but at her house, as he returns to confront her later that night. But first, he'll play along with this charade. By the way, Susan shouldn't know about his broken engagement just yet. When she hears about the wedding earlier she'll wrongly assume it was his and Pamela's and so won't have a desire or reason to reveal herself anymore. This allows for Susan to continue masquerading as her mother when he comes back ('cause Su-Su is supposed to be at the school play) and after some more chit-chat Phillip could expose her by saying something like, "I fell for Su-Su's prank... (as he takes off her glasses and studies her face a bit) but I fell for Susan Applegate!" She'll be dumbfounded as he leans in and kisses her, and when she comes to she'll stammer, "B-B-But what about P-P-Pamela...?" Then he'll confess that they called off their engagement and fill her in. They share a laugh, she calls down her mother, and he asks her to join him. She accepts and then the scene could dissolve into a shot of the train departing the station, with a shot of Susan and Phillip standing out where she was caught smoking earlier, him embracing her from behind. The end.
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