Props for Cukor
Since I don't see any on this board I'll heap some flattery on Cukor for his excellent direction. He really knows how to set up his mis en scene.
As one example, there's a scene where Macauley is chatting with Margaret (I think) that is quite lengthy and when he departs the room the camera is set perfectly to catch him peeping back in from the edge of the frame. It was beautifully executed.
I can't think of a single film made in the past 20 years that uses such simple but effective camera framing because modern directors don't need to plan out their staging thanks to MTV edits.
So here's to Cukor and his many wonderful films!