Yes, Margaret Mitchell herself referred to Tara as a "nice big ugly house" or words to that effect. Rural Home (actually a rather quaint Queen Anne Victorian with gingerbread trim) was a partial inspiration, probably more the feeling of being there than the house itself. A partial inspiration for the structure was also Liberty Hall plantation in Northern Georgia. Tara in the book is a rugged, function-over-fashion building; not without a certain charm, in a rustic down-home kind of way, but nothing you'd see in architectural digest.
This picture of the rear of Liberty Hall shows something of what Mitchell may have had in mind when she described a rambling, unplanned house which expanded over the course of years from a small country cabin, to a sturdy, graceless house with its asymmetrical wings and labyrinth of rooms and hallways inside.
http://www.confederatedigest.com/2010/10/liberty-hall-prototype-for-tara.html
The movie sort of tries, with the comparatively modest square pillars (rather than ionic, doric or corinthian), whitewashed brick as described in the novel, the smaller original house off to the left (we don't really see it much in the movie), the kitchen walkway jutting off the back, and the overgrown garden lending it an air of crude prosperity. But obviously they were trying to cater to the audience's preconceived ideal of what a plantation house should be.
In a way, I'm glad they changed it, because it does have a sort of sturdy yet elegant look that is great in the sunset long shots, and has given the movie staying power with that iconic image of "Tara."
But it's also nice to revisit the book, and go home to that more down to earth Tara.
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