Film's don't have to have a point - per-se. Films just need to be aesthetically pleasing, and although you could argue that that is a "point" in itself I don't believe they don't have to "say" anything.
I won't argue you with you when you say that "I want my 17 minutes back", that's your opinion, and I will accept that in your eyes the film may have failed, but I don't agree that a film has to have a "point". It can make observations, statements, and deliver messages of it's own free will but it doesn't have to do anything that it doesn't want to, so long as it's well made.
All I ask from a film is that it is well made...And I suppose that's where I can't force you to agree with me. In your eyes, I'm guessing, your beef with Dali is that in not having a point, in having characters that you don't care about, he created something which you thought was w@ank. Whereas I thought, in not having a point, in having characters that were morally, emotionally, and rationally ambiguous it pushed the boundaries of film, imagination, and reason whilst remaining beautiful. The film helped me realise how characters, plot, and the basic formula of cause and effect can be thrown out the window to comedic effect rather than tragedy. Once again you could argue that this artistic endeavour, rather than a political or social one, is a point in itself. However, I'm guessing, that you are probably still of the view that this film is plain sh!t.
So would you agree that a film doesn't have to have a point so long as it's not w@ank? Would you agree with that?
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