MovieChat Forums > Joseph Gordon-Levitt Discussion > How would you rank his performances?

How would you rank his performances?


And what makes the performances noteworthy to you? I started this thread because when people ask what JGL movies to watch, or why JGL is considered a good actor, I find myself wanting to recommend just about everything of his that I've seen, and for different reasons.

(This isn't to say that I think the quality of his acting has necessarily varied a lot or that he's ever done a lesser job, but that I think our response to a performance depends on so many things (the writing, the direction, the photography, the music, the particular role and its function in the story, etc.). So I'm curious what kinds of roles, movies, and filmmaking have brought out what people consider to be JGL's most effective, impactful, or appealing performances.)

Anyway, here's my opinion, with several ties because I think JGL has been great in such different ways that strict rankings are impossible, and like I said it just depends on what you're looking for:

1. Mysterious Skin
A very raw and dynamic performance that was by turns free and tightly wound. Probably his most impressive overall performance so far, because it's a combination of great performance, great role, great film and important film.

1. The Lookout
I really admire the way JGL portrays a character with mild traumatic brain injury who tries to reconcile with his past and rebuild his life. The role requires that he convey his character's impairments subtly, which he accomplishes while also making his character's thought processes, mood swings and physical impairments clear, convincing and compelling. He balanced such a fine, difficult line, and showed some very intense, raw emotion, as well. I'm the kind of person who's almost always curious how else an actor--any actor--might have handled something, but there's not a single thing about JGL's performance here that I'm curious about seeing done differently in any way.

1. 50/50
There's a maturity and delicacy about this performance, and he deftly balances humor and pathos, as well. The most powerful part for me is in the last therapy session scene, when he realizes he might really die, in that instant when he vocalizes it. That moment really gets me because it's like there's nothing in between us and the truth of that moment. Gary Oldman on the set of The Dark Knight Rises once said about JGL's work that you can't put a pin through an insincere moment. When I think of that quote, this is one of those pin-impervious scenes that comes to mind.

2. Manic
Another very dynamic and disciplined performance, but also a rare type of character for JGL. His most intense, hostile, and disconcerting role I've seen.

2. Brick
The way he delivers his lines is what makes this a standout performance. He nails the cadence and rhythm of every line, every word. A critic once noted "his understanding of the weight and measure of each line," and I think that's a key reason this film worked so well.

2. Don Jon
What strikes me about this one is how he employs one of his best assets as an actor--his expressive face and the layers of (sometimes conflicting) thought and emotion that he can convey without saying a word, in the space of seconds. In this film it's core to his performance, and key to the storytelling. He also shows sharp comedy skills and delivers one particularly tender and poignant moment that to me is as emotionally raw as it gets.

3. Sin City: A Dame to Kill For
By far my favorite of JGL's neo-noir hero characters, which I consider to also include his roles in Brick, Inception, The Dark Knight Rises and Looper. It's also his strongest of those performances with the exception of Brick, and that's probably only because of the shorter screentime and amount of material. I'll have to summarize more of my thoughts on this performance later, but for now here was my initial reaction:

http://www.imdb.com/name/nm0330687/board/thread/233984752?d=233984752# 233984752

3. (500) Days of Summer
Somehow JGL manages to take a character that is entirely selfish, obstinate, and wallowing in self-pity... and make him heartachingly sympathetic and likable. He's also very funny and charming, and dances in a scene whose effect is euphoric.

4. The Wind Rises
Some of JGL's best voice work. I admire how he brings to life a quiet, contemplative character with well-judged subtlety as well as heartfelt emotion. He fluidly conveys so many complex states with his inflection, from whimsical musing to bittersweet gratitude, and yet never overdoes it, never overlays his character with a recognizable "JGL" voice or persona. That's something I really appreciate from animation voice work.

4. Hesher
A refreshingly free, loose, very funny, and sometimes dangerous performance and character. Another rare type of role for JGL.

5. The Dark Knight Rises
The heart to an otherwise grim and heavy story. Great body language and movement, and inspired delivery of a tonally tricky speech.

5. Looper
For me this performance showcases what JGL can do with his eyes alone. There's also JGL's physical and psychological incarnation of Bruce Willis, a feat in and of itself.

6. Sweet Jane
A wonderfully sly, childlike and tender performance.

6. Inception
The rotating hallway scene is physical poetry. Also, he nailed at least a couple lines that provided the film's rare laugh-out-loud humor.

6. Treasure Planet
Quality voice work. A spirited, sympathetic performance.

7. Premium Rush
Not an actor's movie, but a fun dynamic with Michael Shannon.

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Interesting, I see you've ranked his Don Jon performance quite high.

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(Hey, fancy being on the board at the same time as you, too, Bliss!)

Joseph's performance in Don Jon doesn't have the dramatic "showiness" of the top five that I love, and his character doesn't have a backstory, which makes it harder to relate to him as a fully realized human being, but then again, Jon really isn't fully realized as a human being in most of the story itself, and I think Joseph really did a great job with Jon's funny-sad dysfunction for lack of a better word. But it's really two other things that stand out to me about his work here.

One is what he was able to convey in his face in all those tiny little moments when he's watching porn. I'll have to watch the movie again to be sure, but I felt like it was always something different depending on the events that preceded the porn-watching. Anticipation, detachment, desperation, and things I can't describe just yet. Sometimes it was very funny, sometimes sad.

The other is the love scene with Esther. I can't do justice to the scene right now, but that is some of the most effective acting I've seen from Joseph ever even though it was so simple. It was so tender, I teared up and felt a lot of compassion for both characters, and to be quite frank, I've never teared up watching JGL's performances before, much as I have truly loved them...

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The other is the . I can't do justice to the scene right now, but that is some of the most effective acting I've seen from Joseph ever even though it was so simple. It was so tender, I teared up and felt a lot of compassion for both characters, and to be quite frank, I've never teared up watching JGL's performances before, much as I have truly loved them...

I'm so excited that someone else LOVED/appreciated that love scene as well! I was hoping you'd make a comment about it too. I briefly mentioned it in my review of the movie, but didn't go into detail as to how much it had moved me. It felt so tender and raw at the same time. And JGL definitely expressed a lot of emotion with the LOOK on his face in that scene as well. Even with the two characters saying very little, you just understood what was going on between them because of the emotion on their faces. Jon looked especially vulnerable in that scene, which was a big difference since he had always been cocky and insulting, but you just knew that his character was changing his perspective on love by the look on his eyes/his face/his movement/how he looked at Esther. It was definitely one of the deepest scenes of the movie and that's why I mentioned that the movie would have been severely lacking without Julianne Moore.

JGL does A LOT with his face and effectively conveys his emotions (not just in the masturbation scenes, but throughout his enlightenment of what love really means). Also, I really just love JGL's face because he can do so much with it, apart from simply looking pretty. I thought that was a very powerful scene and I think JGL will continue to impress me in any type of movie genre he decides to pursue whether it be a comedy, action, sci-fi etc...

Anyways, I seriously need to watch the movie again cuz I've only seen it once and I didn't catch all the details, but that was definitely one of the most powerful/sweetest/emotionally heart-breaking scenes in the film!! Also, I've cried to a lot of JGL movies so I can't even keep count as to which movies of his make me cry and which don't.

Furthermore, I can't contribute to this post in terms of ranking performances because I always end up listing MOST of his movies anyways since he's just such a consistent actor. Also, I feel like each and every JGL performance is special in its own way and there isn't really one that is "superior" to another because they all have a different message or demonstrate the emotions of a completely different human being.

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I'm so excited that someone else LOVED/appreciated that love scene as well!Yes, it was quite beautiful and moving. I'll post my thoughts on it in your Don Jon review thread...

Also, I've cried to a lot of JGL movies so I can't even keep count as to which movies of his make me cry and which don't. Recently there was a thread on another board asking, "When was the last time you cried watching a movie?" and I honestly could not remember! I used to be able to cry from movies, but I rarely even get teary-eyed anymore. I guess I've become jaded! So Don Jon is special to me for having affected me that way.

Furthermore, I can't contribute to this post in terms of ranking performances because I always end up listing MOST of his movies anyways since he's just such a consistent actor. Oh, I should have been clearer; I'm hoping to see how people feel about ALL of JGL's performances that they've seen, in relation to each other. Just out of curiosity. But yes, this exercise has reminded me how very consistent he is!

Also, I feel like each and every JGL performance is special in its own way and there isn't really one that is "superior" to another Absolutely, when it comes down to it, I feel the same way. You can't get a fair idea of JGL by just watching his so-called best performances--not because his high points aren't that high (they are!)--but because he hits such different kinds of highs throughout his body of work. As I said elsewhere, even when it's not a powerhouse role on paper, he almost always does something noteworthy with it.

I also think we can't quantify art with things like rankings... Yet it's tempting to try, just to get a snapshot idea of how different kinds of performances have resonated with people...

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Furthermore, I can't contribute to this post in terms of ranking performances because I always end up listing MOST of his movies anyways since he's just such a consistent actor. Also, I feel like each and every JGL performance is special in its own way and there isn't really one that is "superior" to another because they all have a different message or demonstrate the emotions of a completely different human being.
Yes, totally, and I just wanted to add that you've reminded me of why for the longest time I refrained from starting this thread, but it's also why I have. When people ask why JGL is considered a good actor, I find myself listing and then ranking a whole slew of his films in my head. And the rankings are so slippery that they keep changing!

I think it's interesting how different performances speak to people differently, and I wonder if we can somehow parse it. For example I was intrigued when someone on another thread said they thought something was missing from his work in TDKR, but they fell in love with his work on Looper. Because as much as I appreciate his work on Looper, I absolutely LOVE what he did for TDKR!

I've also been thinking about this because JGL has been saying in Don Jon interviews how so many things other than the acting work together to create a performance.

From: http://www.washingtoncitypaper.com/blogs/artsdesk/film/2013/09/23/jose ph-gordon-levitt-on-don-jon-hitrecord-and-tony-danza/
[...] the truth is, an actor’s performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there’s the work of the editor, there’s the work of what the camera was doing. What the music was doing, all of the above.
So it makes me wonder what kinds of things have come together to bring out what people consider JGL's best.

Anyway, thanks for helping me clarify where I'm coming from. But yeah, I totally understand taking a pass on this! I myself thought it was ridiculously tough and it kinda killed me a little to put any of his work at the bottom of any kind of list. It was like trying to pick favorite puppies and children.

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to be honest i've only seen a handful of his movies, but I completely agree,
Mysterious Skin was Oscar worthy acting as was Brick.

Honestly, I think our OP summed my exact thought perfectly.

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I'm so excited that someone else LOVED/appreciated that love scene as well! [...] It felt so tender and raw at the same time. And JGL definitely expressed a lot of emotion with the LOOK on his face in that scene as well. Even with the two characters saying very little, you just understood what was going on between them because of the emotion on their faces. Yeah, the acting in this scene alone is enough for me to rate this performance as highly as I have, because sheer emotional catharsis gives me the biggest satisfaction in watching actors. "Raw" is so right... Much as I've enjoyed a lot of his more recent work, I feel like the scripts since 50/50 haven't called for him to hit any big emotional beats and display the kind of uninhibited rawness that he showed not just in 50/50 but seemingly routinely during the Manic-Mysterious Skin-Brick-The Lookout run. But if anyone ever wondered if JGL still has it...

HE DOES!

This love scene really did it for me, I felt like I knew exactly what was going on between Jon and Esther, what they were feeling and why--so much storytelling, emotion, and subtext that I found myself thinking about and imagining their respective pasts and their futures, too, and getting a little emotional about it. It's basically what I think a character drama should do, and it was all in a silent sex scene, of all things! (Leave it to JGL, he of sex-scene-cynicism, to do a sex scene justice.) This one was loads emotional but also sensual and meaningful (rather than manipulative, as many sex scenes are), as well.

But back to JGL's acting, this scene's power rested on his ability to convey Jon's slow transformation, his letting go of himself, and his trust of Esther. It's Jon's turning point and the turning point of the story, and to believe it, we have to buy not just Jon's emotions in this moment, but as part of a natural progression from the Jon we've seen since the beginning. So I think the fact that it's moving is a testament to JGL's entire performance leading up to and including this scene.

Jon looked especially vulnerable in that scene, which was a big difference since he had always been cocky and insulting, but you just knew that his character was changing his perspective on love by the look on his eyes/his face/his movement/how he looked at Esther. Yes, and I think the contrast between where Jon started and where he is in this scene is one of the reasons the payoff here is so big. Much like that cathartic scene with Laura in Brick, I felt like JGL removed the wall between us and Jon, his emotions and vulnerability feel so real.

JGL does A LOT with his face and effectively conveys his emotionsThat small scene where he's on break during night school, and watches Esther from the steps... I love how we start to see him coming out of his shell there, how you can imagine what he's thinking just sitting there looking at someone, and then coming out of his thoughts. And in the bathroom when he wonders what happened to Esther. These moments were only a few seconds long but he conveys his thoughts effortlessly and watch-ably. They're not technically challenging moments, but as RyanCShowers put it in another thread, it's the ease with which he acts that can be so fun to watch. He makes what would be everyday-type moments look good.

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