Hitchcock himself said that he had wanted Gary Cooper for what became the Joel McCrea role in Foreign Correspondent. And Cooper and Charlton Heston ended up costarring in The Wreck Of the Mary Deare, a film Hitchcock had originally agreed to make for a one-picture deal at MGM (he abandoned the story after deciding it was more whodunnit than suspense thriller, and gave them North By Northwest instead).
It's difficult to imagine how some of those you name - Karloff, Lugosi and Wayne, for example - may have fitted into a Hitchcock picture. I can readily imagine Flynn or Rathbone as one of his elegant villains, and Welles directed himself in The Stranger, a suspenseful tale bearing some thematic relation to Sabotage, Rebecca, Suspicion, Shadow Of A Doubt, Spellbound, Notorious and Dial M For Murder, with its examination of a woman who comes to realize her college professor husband is both killer and escaped Nazi criminal, and whose assistance in exposing him is enlisted by investigator Edward G. Robinson.
Bogart made two suspense thrillers, Conflict and The Two Mrs. Carrolls, in which he played homicidal husbands in stories that could have been right up Hitch's alley.
Sinatra might have been quite effective in Hitchcock's bleak and documentary-like The Wrong Man, and indeed may have embodied aspects of the character played by Henry Fonda - a Manhattan jazz musician of Italian heritage - more comfortably.
Poe! You are...avenged!
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