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We need another New Hollywood Renaissance


The abysmal current state of the industry closely mirrors that of 1950’s Hollywood - over inflated studios with far too much interference, repetitive formulaic blockbusters, remakes and adaptations, one after another. Little to no creative original content or an incentive to produce it, and most importantly an audience who gobbles it up feeding the evil machine.

We need to somehow educate the populace or trick those unable to learn, make good quality films “cool” again and get people paying to see them in large quantities.

People like PT Anderson, Martin Scorsese, Andrew Dominik, Nick Refn - they are a dying breed, as there is little to no financial incentive to keep them alive. PT Anderson has made multiple films, almost all of them widely acclaimed by critics, but barely broke even. No one outside of film buff circles seems to have heard of Refn or Dominik and even an acclaimed household name like Scorsese, who now has several mainstream major box office smashes in his recent filmography had to go to Netflix with his tail between his legs to get his movie made.

It’s sad and depressing, and frightens me that there might come a time when I literally won’t have these great artists to choose from.

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Start with the guy in the mirror. For someone who is talking up films like these, you have a strange history of missing more than a few of them across the years. You seem to focus only on your shortlist of favorite directors rather than broadening your horizons. A "MovieBuff" should have a different approach to educating himself.

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Doesn’t change my point

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It does when you talk about "We" as though you're on the right side of things.

You talked up Midsommar not too long ago. That opened in July 2019 in 2700+ theaters. You saw it at home in April of 2020. You're an example of why there's no financial incentive to produce more films like that. You're part of the populace who you claim "We" need to change or trick. Just introspect and ask yourself why don't bother to show up despite claiming to be part of the "We".

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Dude I saw Midsommar in theaters the week it came out

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I apologize. It seemed to be part of a list of movies (like Munich) that you were talking about watching now.

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All good. I try to see as much stuff like that as I can, I usually end up having to stick to what appeals to me as my time and access are limited.

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Oh, Hollywood is madly scrambling to change, as the demise of the movie theaters suddenly looms before them, and the tentpole blockbuster model of filmmaking and finance has probably ceased to be viable.

However, that doesn't mean that change will result in a burst of creativity or quality, the opposite is more likely. Hollywood is still run by small-minded suits, not creatives, they'll probably run to Michael Bay and his fellow hacks, throw a ton of money at them, and beg them to come up with some short-term financial gain.

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Yeah it’s unfortunate

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TV is the new renaissance.

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and that's been the case for over 20 years now

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Like I’ve said before, even the best TV series will never come close to a great film.

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The Irishman. = TV

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i disagree Good old fashioned Cinema is were its at

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TV now is better than TV then... but compared to movies they are still behind.

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That's for sure. There are so many great stories that are begging to be shown on the big screen, and yet all these pansies in Hollywood can do is ignore them in favor of "safe" stuff. Part of the reason that industry was successful was because they took chances. Not all of them worked, but some did, and paid off in the long run.

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or you could be grateful with what we're getting chose the thigs you like

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I do think a new renaissance is on the horizon. Now is the perfect time for indie studios and new filmmakers to rise. Big corporations wont be releasing their usual $150 million blockbusters at the moment because coronavirus has struck down both theaters, practically eliminating the market and making it very risky for them to make a profit. Indie studios have nothing to lose with their cheap films and easy-to-recuperate profits.

A few succesful $2-15 million productions should be all it takes. Imagine if something like Get Out, which cost $4 million and grossed $260 million, were to be released to similar success 5-10 times. Boom. New studios, new actors, new Hollywood:

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