Three Billboards Outside Ebbing, Missouri is the worst movie of the year

characterization continuity is absolutely 0. so many plot holes, boring story, bad lighting, bad color grading, bad music, and terrible screenplay.

SPOILERS below


This is one of the most poorly written, produced, directed, acted, edited films I've seen all year. It's all entirely incoherent with 0 logic put into it. From characters to story, everything is done completely wrong. The directing is very bad. You won't see anything more pretentious than the shots and color grading of Three Billboards all year. It's a lot of slow pans, handheld, and shots of billboards that has no significant meaning. The lighting is also very unnatural too. There is a super pretentious deer scene that supposedly represents incarnation? What does that symbolic metaphor supposed to represent if her daughter is dead? UGGHHHHH. The music is absolutely horrible. It's this typical Coen Brothers esque music. Actually the entire film feels like a Coen Brothers rip off. There is also this obnoxious Southern music that will fill your mind with toxic. The characters and the story represents a Southern country. Another movie glorifying these obnoxious conservative Trump tards. The more we support these vagrant trash, the more the world will suck. Three Billboards is one of those cynical depressing movies that doesn't help anyone. "OH LIFE IS SO DEPRESSING, LOOK THE COPS DON'T HELP FIND THE RAPIST AND WE MAY NEVER FIND THE RAPIST SO LETS GO DO SOMETHING IMMORAL OR KILL OURSELVES." Seriously? The message is so bad in this film that it doesn't even make sense. The acting is some of the worst I've seen all year. No one is good in this movie and the characters are just down right awful. All of these characters have problems and they are so unlikable that you just don't care for them. They also make absolutely 0 sense. So, Frances McDormand is supposed to be this strong female character, but she is dependent on the cops catching her criminal? SHE ENDS UP GOING AFTER A RAPIST THAT ISN'T HER RAPIST, SO WHY DIDN'T SHE DO THAT WITH HER RAPIST IN THE FIRST PLACE? Oh yeah, to even add more heat to that ending. Apparently Sam Rockwell knows where that rapist lives just by getting his car plate number and the blood from him beating him? He's not a cop anymore, so why is he able to get confidential information that he shouldn't have access to? OKKAAAAYYY that makes no sense. Sam Rockwell becomes from a racist cop to good cop for some reason because he read a letter from his dead chief. Why? He despised his chief in the first half, so that right there is a plot hole. The editing is absolutely poor. Sam Rockwell decides to go beat up redhead boy funding the billboards after his chief kills himself cause I guess he think those billboards killed his chief? We never saw any of that anger so it is just came left field without reasoning. The chief killing himself also makes no sense. There was absolutely 0 development that he was struggling with cancer. Just one cough of blood here and there and some dark jokes about cancer. The movie failed to deliver that aspect and so him killing himself after making sex jokes with his wife made no sense. Here is where the movie gets even more messy. The town blames the billboards for what caused his death, but before that happened. Frances McDormand says to Woody that everyone knows he had cancer. SOOOOO WOULDN'T HIS STRUGGLE WITH CANCER BE THE REASON WHY HE KILLED HIMSELF? WOULD THAT BE A POSSIBLE EXPLANATION AND NOT THE BILLBOARDS? Way to contradict yourself director/writer. This film is full of contradictions like these. The movie itself overall doesn't work well as a dark dramedy. The comedy is not funny and repetitive. It's a lot of derogatory jokes and "oh that's from a book, oh that's from a movie." Those ships have sailed long ago. There is nothing original about this film at all. Anyways, this movie gets a 0/10.